#14; #17; #18 (from These Are Some Jews That Hitler Didn't Get)
     
Digital media content, coupled with the internet, is having a profound impact on our society, especially on the identities of entire groups of people. The connectedness, the ability to edit, and the storage capabilities of digital media are, in a sense, helping to recall, and even shape, cultural memories. These memories, when shared, provide political and ethnic understanding in new ways that reach different audiences. This series of work is one such celebration of a people.

These are Some Jews that Hitler Did Not Get: American Jews and the Survival of a People is a series of work that celebrates life and hope using one representational, horrific event. The Holocaust is recent enough to be part of a contemporarily-shared experience, one that can capture the past and digitally fuse it with the present, thus implying hope for a future. By celebrating the survival of American Jews, we remember all the times throughout history that we were threatened, yet were not destroyed. It gives us strength and anticipation for generations to come. Thus, it reminds us to respect the survival of all peoples and the importance of their identities. Digital technologies will enable these memories to move forward in time so we may always have a sense of Tikvah, or hope.

These works were constructed digitally using imagery and symbols from the past that were fused with imagery from the present. Much of the pictures from the past came from digital storage banks available on-line. All of the works were constructed from numerous sources, including visible digital collages and seamless digital montages of photographic forms. The works have various elements of mixed media, from custom substrates and hand collages, to coated handmade papers that together provide layers of information to the overall story.

The work is based in 2D digital imaging, but most works have some mixed media element to them, while others have more. These additions play into the meaning of the work. All of the work is wall mounted, but one work would sit on a pedestal.

All works vary in size, but are mostly close to 15X20 (framed). One work is 22X35, and the pedestal work is 24X24X24.

 

 
For her Ph.D. research, Dr. Eber explored the art and aesthetics of artistic virtual environments (VE), especially the learning and creative process for artists involved with making them. Her MFA research included alternative ways of digital image capture and representation.

Dr. Eber continues to research the creative and aesthetic aspects of artistic VE's, and is currently involved with an art and computer science collaboration that is investigating these aspects. Her other research includes perception and the creative process surrounding other digital media. She has presented much of this work at national and international conferences and has many publications in national and international journals.

Dr. Eber's artistic endeavors include VE art works, imaging, and interactive installations. Her latest work deals with issues surrounding embodiment and femininity. She shows her work at numerous national and regional exhibitions.